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Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c] Many ...
The writing of a poem at the time of one's death and reflecting on the nature of death in an impermanent, transitory world is unique to East Asian culture. It has close ties with Buddhism, and particularly the mystical Zen Buddhism (of Japan), Chan Buddhism (of China), Seon Buddhism (of Korea), and Thiền Buddhism (of Vietnam). From its ...
Ikkyū (一休宗純, Ikkyū Sōjun, February 1, 1394 - December 12, 1481) was an eccentric, iconoclastic Japanese Zen Buddhist monk and poet. He had a great impact on the infusion of Japanese art and literature with Zen attitudes and ideals. [1]
Hattori Hanzō (服部 半蔵, c. 1542 [1] – January 2, 1597) or Second Hanzō, nicknamed Oni no Hanzō (鬼の半蔵, Demon Hanzō), [2] was a famous samurai of the Sengoku era, who served the Tokugawa clan as a general, credited with saving the life of Tokugawa Ieyasu and then helping him to become the ruler of united Japan.
Tomoe Gozen (巴 御前, Japanese pronunciation: [5]) was an onna-musha, a female samurai, mentioned in The Tale of the Heike. [6] There is doubt as to whether she existed as she doesn't appear in any primary accounts of the Genpei war. She only appears in the epic "The tale of the Heike".
It was a common practice in feudal Japan for a higher-ranking samurai to bestow a character from his own name to his inferiors as a symbol of recognition. From the local lord 's perspective, it was an honour to receive a character from the shogunate, although the authority of the latter had greatly degenerated in the mid-16th century.
Shachihoko evolved from Chiwen, an animal in the Chinese tale from the Han dynasty (202 BC - 220 AD), and is known as Shibi in Japan. [5] First found in the Eastern Han dynasty portrait brick “Visitation”, Chiwen appears as a component that covers the roof ridge and protects the building from fire. [6]
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...