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A musician who plays the Cuban tres is called a tresero, although the term tresista has also been used in Cuba in the past. [5] There are variants of the instrument in Puerto Rico and the Dominican Republic. [12] Cuban trova singer, songwriter and guitarist Compay Segundo invented a variant of the tres and the Spanish guitar known as armónico ...
Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres. [1] In the 1950s he became well known as the second voice and tres player in Los Compadres, a duo he formed with Lorenzo Hierrezuelo in 1947. [2]
Nelson González (born May 30, 1948) is a Puerto Rican tres player. He specialises in the Cuban tres, and only occasionally plays the Puerto Rican tres (similar to the cuatro). He is a prolific session musician and has been a member of renowned salsa ensembles such as Fania All-Stars, Orchestra Harlow and Típica 73. [1]
Punto is played by a group with various types of guitar: the Spanish guitar, the Cuban tres, the laúd and the tiple. The punto refers to the use of a pick (punteando), rather than strumming (rasgueado). There are three percussion instruments: the clave, the güiro and the guayo (also a scraper, but of metal). Singers form themselves into teams ...
He played the marimbula, the bongó and the guitar at different times and, despite his physical limitations , he was a force in Cuban music for half a century. His first group was Hortensia Valerón (vocalist), Manuel Menocal (tres), Manuel Corona (guitar), Victoriano Lopéz (maracas) and Joaquín Velasquéz (bongó). [28]
The basic son ensemble of early 20th-century Havana consisted of guitar, tres, claves, bongos, marímbula or botija, and maracas. The tres plays the typical Cuban ostinato figure known as guajeo. The rhythmic pattern of the following generic guajeo is used in many different songs. Note that the first measure consists of all offbeats.
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