Search results
Results from the WOW.Com Content Network
Poetry of the modern-day region called Afghanistan has ancient roots, which is mostly written in Dari and Pashto. [1] Afghan poetry relates to the culture of Afghanistan and is an element of Afghan literature .
Qahar Asi (Dari: قهار عاصی; September 26, 1956 – September 28, 1994) was a poet and agriculturist from Afghanistan.. He was born in Malima in Panjshir province.He is considered to be Afghanistan's most famous modern poet who has practiced both "New" and "Classic" poetry styles.
Afghan poetry and culture has a long history dating back to the rise of Sufism. Poetry was written in various shared languages such as Persian, Dari, Pashto, and very few in Urdu. Poetry in foreign languages such as English and Turkic also has a strong influence on Afghan poetry. The poetry reflects diverse spiritual traditions within the country.
Ayesha Durrani, also known as Aisha-i-Durani and Aisha Durrani (18th-century) was an Afghan poet, one of the wives of Timur Shah Durrani of the Durrani Empire.A number of her poems were compiled into a manuscript in 1882, and Durrani is credited with founding the first school for girls in Afghanistan.
He produced countless hit compositions sung by many renowned Afghan artists such as the Ahmad Zahir, Ahmad Wali, Mahwash, Sarban, Awalmir, and many others. [3] Many of his compositions have a Mystical quality and are set to poems by Rumi, Hafez, and Lahuti. Nainawaz was a mentor and teacher to Ahmad Zahir, the well-known Afghan singer.
The Dari, which is a variety of Persian spoken in Iran and Tajikistan. A broader, more contextualized, study of Afghan proverbs would include comparisons of Afghan proverbs with Persian proverbs from Iran (for which several volumes are available in English) and with Tajik proverbs (e.g. comparing with those in Bell 2009) from Tajikistan.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The book won the 2014 PEN Award for Poetry in Translation. [6] Tess Taylor described the book's poetry in NPR as feeling "both anonymous and universal" and commented on the window it offered to the lives of women living in Afghanistan. [7] The book was described as a "rich and graceful collection" by Elizabeth T. Gray Jr. in the Harvard Review.