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Alice Verlet as Queen of the Night, 1912. The first singer to perform the aria onstage was Mozart's sister-in-law Josepha Hofer, who at the time was 32. By all accounts, Hofer had an extraordinary upper register and an agile voice and apparently Mozart, being familiar with Hofer's vocal ability, wrote the two blockbuster arias to showcase it.
The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production "O zittre nicht, mein lieber Sohn" ("Oh, don't tremble, my dear son") is the first aria performed by the Queen of the Night (a famous coloratura soprano role) in Mozart's singspiel The Magic Flute (Die Zauberflöte).
The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son! – and aria: "Du, Du, Du wirst sie zu befreien gehen / You will go to free her). The Queen and the ladies leave and Papageno can only hum to bemoan the ...
Virtuose Arien von WA Mozart, Orchestra of the Bavarian State Opera, Munich, EMI Electrola 1C 063-29 082 (1 LP, issued 1973) [4] Works: "O zittre nicht, mein lieber Sohn, recitative and aria for the Queen of the Night from Die Zauberflöte "Der Hölle Rache kocht in meinem Herzen", aria for the Queen of the Night from Die Zauberflöte
Rage arias were amongst various types of aria which were employed in 18th century opera, including the more restrained aria di sentimento, the aria di lamento (lament), and the showy aria di bravura. [2] One of the best-known examples of the genre is the Queen of the Night's "Der Hölle Rache kocht in meinem Herzen", from Die Zauberflöte. [5]
Aria for soprano and orchestra: Metastasio Demofoonte, II, 6: 1770 88: 73c "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,2: 1770 119: 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl ...
Queen of the Night aria This page was last edited on 25 July 2018, at 08:44 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
She auditioned with Queen of the Night arias from Mozart's The Magic Flute and Olympia's aria from Offenbach's The Tales of Hoffmann. [10] Auger was signed by the Vienna State Opera and made her debut as the Queen of the Night [11] in Mozart's The Magic Flute conducted by Josef Krips. [10] She remained with the company for seven years.
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