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"A Whole New World" is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. [2] A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love ...
The music was written by Ray Henderson, the lyrics by B.G. DeSylva and Lew Brown. The song was published in 1928 , and was first performed later that same year by vocalist Ruth Etting . However, the most famous rendition of this song was recorded early the following year by singer Helen Kane , who was at the peak of her popularity at the time.
Verve retitled the parent album Soul Surfin' containing "More" and other songs performed by Winding's big band !!!!More!!! (Theme from Mondo Cane) to capitalise on the single's popularity. [4] While Winding's brassy performances feature top jazz players, notably Kenny Burrell on guitar, the arrangements are in so-called "surf music" style.
The instrumental contains electric guitar [2] and skittering drums, [5] while the lyrics focus on the anguish and depression suffered from both artists. [2] [5] [6] Kane Brown and Jelly Roll emphasize the notion that fame and fortune do not prevent their mental health struggles—in fact, they may even intensify them.
Kane Brown had a few very special people in the studio with him as he recorded his new song.. Sharing a teaser of his new song on his Instagram on Tuesday, Oct. 1, Brown included clips of his ...
The song was first performed in 1928 by Helen Kane, who became known as the 'Boop-Boop-a-Doop Girl' because of her baby-talk, scat-singing tag line to the song. This version was recorded when Kane's popularity started to reach its peak, and became her signature song. Two years later, a cartoon character named Betty Boop was modeled after Kane.
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Produced by Kane, the song is a duet between Kane and Salt-n-Pepa member DJ Spinderella. The chorus was performed by vocalists Karen Anderson and Laree Williams. The song became an American Top 40 hit, becoming Big Daddy Kane's first and only single to crack the US Billboard Hot 100 chart, peaking at number 31. [3]