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Wider dynamic range came with the introduction of the first compander wireless microphone, offered by Nady Systems in 1976. Todd Rundgren and the Rolling Stones were the first popular musicians to use these systems live in concert. Kate Bush is regarded as the first artist to have had a headset with a
The microphone arm of headsets may carry an external microphone or be of the voice tube type. External microphone designs have the microphone housed in the front end of the microphone arm. Voicetube designs are also called internal microphone design, and have the microphone housed near the earpiece, with a tube carrying sound to the microphone.
Litke’s wireless mike resembled a silver tube with “a microphone at the top, a transmitter in the middle and its battery power supply at the bottom.” [1] It was 6 inches long, 1 inch in diameter, and weighed 7 ounces; the device had a broadcast range of up to a half-mile. Two types of mikes were available: lavalier and hand-held.
Interruptible foldback (IFB), also known as interrupted foldback, interruptible feedback, or interrupt for broadcast, is a monitoring and cueing system used in television, filmmaking, video production, and radio broadcast for one-way communication from the director or assistant director to on-air talent or a remote location.
Headsets are made with either a single-earpiece (mono) or a double-earpiece (mono to both ears or stereo). The microphone arm of headsets is either an external microphone type where the microphone is held in front of the user's mouth, or a voicetube type where the microphone is housed in the earpiece and speech reaches it by means of a hollow tube.
A case of in ear monitor receivers. Most professional stage in-ear monitor systems use wireless technology to send the mix to the IEMs. This type of system consists of a stationary offstage transmitter and an onstage receiver (about the size of a deck of cards) that is worn by the performer.
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