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Go and Reclaim the Mainland (Chinese: 反攻大陸去; Wade–Giles: fan 3 kung 1 ta 4 lu 4 chʻü 4) is a Chinese anti-communist patriotic song created by the government of the Republic of China on Taiwan to promote Chinese reunification and Project National Glory.
The Eighteen Touches (Chinese: 十八摸; pinyin: shí bā mō) is a traditional Chinese folk song with many variants throughout China. The song is flirtatious, bawdy and erotic in nature, considered vulgar and tasteless, and has been banned numerous times. [1] There are male, female, and duet variants.
The Anti-Communist and Anti-Russian Aggression Song (Chinese: 反共抗俄歌; Wade–Giles: fan 3 kung 4 kʻang 4 o 2 ko 1; lit. 'anti-communist and resistance to Russians song'), also known as Fighting Communism and Rebuilding the Nation (Chinese: 反共復國歌; Wade–Giles: fan 3 kung 4 fu 4 kuo 2 ko 1; lit. 'anti-communist and national restoration song') is a Chinese anti-communist and ...
This type of music typically employs Chinese national vocal (minzu) vocals, with content focused on reflecting national history and culture or promoting the "main melody" — praising the Chinese Communist Party, the minzu, and the People's Liberation Army. Representative singers include Song Zuying, Peng Liyuan, Wang Hongwei. [1] [2]
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The song was widely used by the Chinese government in turn-of-the-century official events, [16] but became censored [19] after the 2011 Chinese pro-democracy protests, also called the Jasmine ("Mo li hua") Revolution, [21] which used the song as a deniable and hard-to-block way of expressing support for democracy.
According to official accounts by the Chinese Communist Party, after the Chinese city of Wuhan fell to Japanese invaders in November 1938 during the Second Sino-Japanese War, the poet Guang Weiran led the 3rd Squad of the Anti-Enemy Troupe across the Yellow River near the Hukou Waterfall and eastwards into the communist anti-Japanese headquarters in the Lüliang Mountains.
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