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Pietro Liberi (1605–1687), painter, active in Venice after 1643; Bernardino Licinio (c. 1489–1565), painter of Venice and Lombardy; Pietro Lombardo (1435–1515), architect and sculptor, active in Venice; Baldassare Longhena (1598–1682), architect, born and worked in Venice; Pietro Longhi (1701/2–1785), painter, born in Venice
Chung's work includes performances with a robotic arm that uses AI to attempt to draw in a manner similar to Chung. Stephanie Dinkins, [6] active from 2010s to present. Dinkins' work includes recordings of conversations with an artificially intelligent robot that resembles a black woman, discussing topics such as race and the nature of being.
In 1887 at Venice, he exhibited: I Recini da festa and Ruth. In 1885, he painted Il Bimbo Malato. In 1888 at Bologna, he displayed: A Venezia. [4] Luigi's brother was a sculptor. Luigi Nono's grandson of the same name (Venice, January 29, 1924 – Venice, August 5, 1990) was an Italian avant-garde music composer. [5]
The 21st Venice Biennale, held in 1938, was an exhibition of international contemporary art, with 18 participating nations. [1] The Venice Biennale takes place biennially in Venice, Italy .
The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756. [1] The first director was Giovanni Battista Piazzetta; Gianbattista Tiepolo became the first president after his return from Würzburg. [2]
Donizetti's notable works include the "Crucifix" in The Treasury Museum of the Vatican Basilica; the frescos and the altar piece in the historical Basilica in Pontida; the portrait of Pope John Paul II (now part of the National Portrait Gallery (United States) collection in Washington, D.C.) and published on the covers of Time; "Commedia dell'Arte" in the "Spajani Raccolta" GAMEC in Bergamo ...
The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le vite de' più eccellenti pittori, scultori, e architettori) is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", [1] "some of the Italian Renaissance's ...
In 2011, he was invited to the Italian Pavilion of the Venice Biennale. In 2012, one of his works, "RED", was chosen as an image of the Lincoln Center Festival in New York City, [2] which gave to his work global renown. In 2011, he decided to end all links with Italian galleries and has worked exclusively for international outlets.