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The studio is regarded as part of the Arts and Crafts Movement, [6] but was infused also with the contemporary spirit of Irish revivalism [7] and drew on the artistic tradition of Celtic manuscript illumination. Ireland became an internationally renowned center of stained-glass art at this time, to a large extent as a result of An Túr Gloine. [8]
Stephen Adam (1848–1910) was a 19th/20th-century Scottish influential stained glass designer. He was a pioneer of modern stained glass in Scotland (in terms of colour use, and black in particular). [1] The majority of his work is in the Pre-Raphaelite style, often with a twist towards Celtic mythology, and is mainly sited in western Scotland ...
The Geneva Window is a stained glass window consisting of eight panels, created by Harry Clarke from 1927 to 1930. [1] [2] [3] It was originally commissioned by the Irish Free State government for the International Labour Building of the League of Nations in Geneva. [3]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
Richard Joseph King (Rísteard Ó Cíonga; 7 July 1907–17 March 1974) [2] was an Irish stained glass artist and illustrator. He was born in Castlebar, County Mayo, Ireland, where his father was a sergeant in the Royal Irish Constabulary.
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