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The song "Begin Again" was featured again on the Mysterious Broadcast radio tied to the 2011 downloadable content Old World Blues. The Bethesda blog released an official download in 2011 followed by official sheet music for the song in 2012. [20] [21] [22] Certain songs were used in promotional material, but were not used in the game itself.
Alice L. Cook's "A Note on Whitman's Symbolism in 'Song of Myself'" John B. Mason's "Walt Whitman's Catalogues: Rhetorical Means for Two Journeys in "Song of Myself" WhitmanWeb's full text in 12 languages, plus audio recordings and commentaries; Audio: Robert Pinsky reads from "Song of Myself" Archived 2019-07-31 at the Wayback Machine
Elaborate Studies and Analysis bar to bar to P.I. Tschaikowsky, Op.35 Concerto in D Major with revised solo voice and complete piano score, Op.19; Elaborate Studies and Analysis bar by bar to N. Paganini Allegro-Concerto I, in D-Major with revised solo voice and complete piano score, Op.20
Rhapsody No. 2 for violin and piano (1929) Sz. 89, BB 96; Rhapsody for cello and piano Sz. 86, BB 94 (transcription by Bartók of Rhapsody for Violin and Piano No. 1) Sonata for Two Pianos and Percussion Sz. 110, BB 115; Sonata in E minor for violin and piano DD 72, BB 28; Sonata No. 1 for violin and piano (1921) Op. 21 Sz. 75, BB 84
19 Songs "traditional" The Circus Band All summer long 56 H. or Ch. Ives The Collection Now help us, Lord 38 "stanzas from old hymns" The Coming of the Day Country Celestial Cradle Song Hush thee 33 19 Songs A. L. Ives December Last, for December 37 D. G. Rossetti, after San Geminiano: Disclosure Thoughts, which deeply rest 7 Ch. or H. Ives
Op. 91: Conversation with a Cactus, eight children's songs after V. Viktorov for voice and piano (1969) Op. 92: Three songs about Lenin, for children's chorus and piano (1970) Op. 94: Three Songs-Plays after I. Rachillo, for children's chorus and piano (1973) Op. 97: Songs of Friendship, for female chorus, children's chorus and soprano or tenor ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
The early-twentieth-century British composer Gerald Finzi (1901–1956) is recognized largely for several song cycles, setting texts from a wide selection English poets, including Thomas Traherne, William Shakespeare, John Milton, Christina Rossetti, Thomas Hardy, Robert Bridges and Edmund Blunden.