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Venus with a Mirror (1555) by Titian. Body image is a person's thoughts, feelings and perception of the aesthetics or sexual attractiveness of their own body. [1] [2] The concept of body image is used in several disciplines, including neuroscience, psychology, medicine, psychiatry, psychoanalysis, philosophy, cultural and feminist studies; the media also often uses the term.
Please add articles and subcategories related to the portrayal of body image issues in popular culture. Subcategories This category has the following 5 subcategories, out of 5 total.
Body image is a complex construct, [1] often used in the clinical context of describing a patient's cognitive perception of their own body. The medical concept began with the work of the Austrian neuropsychiatrist and psychoanalyst Paul Schilder, described in his book The Image and Appearance of the Human Body first published in 1935. [2]
Masthead (American publishing), details of the owners, publisher, contributors etc. of a newspaper or periodical (UK: "publisher's imprint") Masthead (British publishing), the banner name on the front page of a newspaper or periodical (US: "nameplate") Masthead Maine, formerly a network of newspapers in Maine
In American usage, a publication's masthead is a printed list, published in a fixed position in each edition, of its owners, departments, officers, contributors and address details, [1] [2] which in British English usage is known as imprint. [3] Flannel panel is a humorous term for a magazine masthead panel.
The Substance is a 2024 satirical body horror film written and directed by Coralie Fargeat.It follows a fading celebrity, Elisabeth Sparkle (), who, after being fired by her producer (Dennis Quaid) due to her age, uses a black market drug that creates a younger version of herself (Margaret Qualley) with unexpected side effects.
Eraserhead is a 1977 American independent surrealist body horror film [3] written, directed, produced, and edited by David Lynch. Lynch also created its score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films.
The film tells the story of an archetypal human life using images taken from all around the world and the last 100 years of cinema. The images span the microcosm (inside the body), through the individual (the first cry of a new-born baby), to the macrocosm (accumulated archive footage of ritual celebration and the carnage of war).