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Stereo 31-band 1/3-octave graphic equalizer for use in sound reinforcement applications. In the graphic equalizer, the input signal is sent to a bank of filters. Each filter passes the portion of the signal present in its own frequency range or band. The amplitude passed by each filter is adjusted using a slide control to boost or cut frequency ...
In 1986, Trio bought Kenwood and renamed itself to Kenwood. George Aratani was the first chairman of Kenwood USA Corporation, and was later succeeded by Kasuga. [3] In October 2008, Kenwood merged with JVC to form a new holding company, JVCKenwood. KX880SR audio cassette tape deck/recorder. Kenwood introduced its Sovereign line of components in ...
In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative-feedback loop. As the level of "presence" was increased, so more and more of the higher frequencies in the negative-feedback loop were dumped to ground, leaving the ...
Accuphase was founded by former Kenwood engineer Jiro Kasuga in late 1972. [1] Kasuga was not happy with the views of Kenwood relating to the follower of their High-End Supreme 1 unit (1967). He hired some engineers from other prominent brands (Marantz, Luxman) and started Kensonic, with Kenwood as a part owner. Some other connections in the ...
The A701C, same design to A703C Made by Kenwood Argentina S.A. was the first Kenwood mixer fully electronic (non centrifugal) with improved motor. [4] During the mid-1970s the A901 series replaced the A701. The shape was basically similar but with a slightly more streamlined appearance. The design of the machine was entirely new.
The amplifier is known across the audiophile community for its high-output power and low Total harmonic distortion (THD). The AU-11000 has an output power of 110 watts -per- channel , [ 1 ] and was one of the earliest home audio amplifiers to use multiple transistors per channel using a "Push-Pull" method to add more amplification power.
A television equalizer consequently typically requires more filter sections than an audio equalizer. To keep this manageable, television equalizer sections were often combined into a single network using ladder topology to form a Cauer equalizer. The second issue is that phase equalization is essential for an analog television signal.
The first two-way radio remote controls utilized a harness of wires extending speaker, microphone, and controls for options such as channel selection or CTCSS switches. . This limited a base station to being within tens to hundreds of feet from the user's worksta