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Gather ye Rose-buds while ye may, Old Time is still a-flying: And this same flower that smiles to day, To morrow will be dying. The glorious Lamp of Heaven, the Sun, The higher he's a getting; The sooner will his Race be run, And neerer he's to Setting. That Age is best, which is the first,
Born in Cheapside, London, Robert Herrick was the seventh child and fourth son of Julia Stone and Nicholas Herrick, a prosperous goldsmith. [2] He was named after an uncle, Robert Herrick (or Heyrick), a prosperous Member of Parliament (MP) for Leicester, who had bought the land Greyfriars Abbey stood on after Henry VIII's dissolution in the mid-16th century.
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Gather ye rosebuds while ye may is the first line from the poem "To the Virgins, to Make Much of Time" by Robert Herrick. The words come originally from the Book of Wisdom in the Bible, chapter 2, verse 8. It was the inspiration for several works of art: Gather Ye Rosebuds While Ye May (Waterhouse painting 1908) by John William Waterhouse.
The symbol of the rose in "To the Rose upon the Rood of Time" is firstly one that is constant, binding past and present through its spiritual and romantic referents. Stephen Coote notes that the rose on the rood was a symbol worn around the neck of those belonging to the Hermetic Order of the Golden Dawn: the "female" rose is impaled upon the "male" cross.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
The former Oasis frontman, who is preparing to release his debut collaborative album with The Stone Roses musician John Squire, is known for some of the UK’s best-loved rock songs, from ...
"Lachin y Gair", often known as "Dark Lochnagar" or "Loch na Garr", is a poem by Lord Byron, written in 1807. It discusses the author's childhood in north east Scotland, when he used to visit Lochnagar in Highland Aberdeenshire. It is perhaps one of the poet's most Scottish works, both in theme and sentiment.