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Eric Dillman has a few social media accounts, and a podcast. Dillman got his Bachelor's degree in Interior Design from Indiana University of Pennsylvania. And started his first design account in 2018.
Function-First Philosophy: Rooted in modernist principles, Brutalist design prioritizes function over decoration, resulting in minimal ornamentation and an emphasis on utility.
"Bad" Painting is the name given by critic and curator Marcia Tucker to a trend in American figurative painting in the 1970s. Tucker curated an exhibition of the same name at the New Museum of Contemporary Art, New York, featuring the work of fourteen artists mostly unknown in New York at the time.
Interior design is the art and science of understanding people's behavior to create functional spaces, that are aesthetically pleasing, within a building. Decoration is the furnishing or adorning of a space with decorative elements, sometimes complemented by advice and practical assistance.
Italian art critic and scholar Mario Praz used this term to describe the excessive use of ornament in design during the Victorian age. [4] Other examples of horror vacui can be seen in the densely decorated carpet pages of Insular illuminated manuscripts, where intricate patterns and interwoven symbols may have served "apotropaic as well as decorative functions."
Negative space in art, also referred to as "air space", is the space around and between objects. Instead of focusing on drawing the actual object, for a negative space drawing, the focus is on what's between the objects. For example, if one is drawing a plant, they would draw the space in-between the leaves, not the actual leaves.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
The first historically important example of the interior portrait represents a small art gallery set up by the Empress Josephine at Malmaison in 1812. In this watercolor by Auguste-Siméon Garneray, we can see her harp, art collection and her shawl, left on an armchair. Thus a new element appears: the psychological elements of the décor and a ...
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