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Koenig's collection focused on a world-renowned collection of African works of art. Koenig was a board member of the (West) German Association of Artists from 1961 to 1972. Fritz Koenig was also the recipient of numerous awards, including the Bavarian Maximilian Order for Science and Art and the Order of Merit of the Federal Republic of Germany.
Membership in the male-only, private Bohemian Club takes a variety of forms, with membership regularly offered to new university presidents and to military commanders stationed in the San Francisco Bay Area. Regular, full members are usually wealthy and influential men who pay full membership fees and dues, and who must often wait 15 years for ...
The creation of the originally titled Große Kugelkaryatide N.Y./ Great Caryatid Sphere N.Y. (catalogue raisonné Sk 416) dates to the 1960s and early 1970s. At that time Fritz Koenig was established as an artist in the United States.
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This page was last edited on 10 December 2022, at 00:46 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The San Francisco Art Association (SFAA) was an organization that promoted California artists, held art exhibitions, published a periodical, and established the first art school west of Chicago. The SFAA – which, by 1961, completed a long sequence of mission shifts and re-namings to become the San Francisco Art Institute – was the ...
The work, weighing more than 20 tons, was the only remaining work of art to be recovered largely intact from the ruins of the collapsed Twin Towers. After being dismantled and stored near a hangar at John F. Kennedy International Airport, the sculpture was the subject of the 2001 documentary Koenig's Sphere. Since then, the bronze sphere has ...
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...