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High modernism (also known as high modernity) is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world. [ 1 ] [ 2 ] The high modernist movement was particularly prevalent during the Cold War , especially in the late 1950s and 1960s.
The categorisation of the past into discrete, quantified named blocks of time is called periodization. [1] This is a list of such named time periods as defined in various fields of study. These can be divided broadly into prehistorical periods and historical periods (when written records began to be kept).
Alex Inkeles (Becoming Modern, 1974) similarly creates a model of modern personality, which needs to be independent, active, interested in public policies and cultural matters, open to new experiences, rational and able to create long-term plans for the future. [87] Some works of Jürgen Habermas are also connected with this subfield.
Although artistic modernism tended to reject capitalist values such as consumerism, 20th century civil society embraced global mass production and the proliferation of cheap and accessible commodities. This period of social development is known as "late or high modernity" and originates in advanced in Western societies.
The subject is constructed in late modernity against the backdrop of a fragmented world of competing and contrasting identities [6] and lifestyle cultures. [7] The framing matrix of the late modern personality is the ambiguous way the fluid social relations of late modernity impinge on the individual, producing a reflexive and multiple self. [8]
Eras cannot easily be defined. 1500 is an approximate starting period for the modern era because many major events caused the Western world to change around that time: from the fall of Constantinople (1453), Gutenberg's moveable type printing press (1450s), completion of the Reconquista (1492) and Christopher Columbus's voyage to the Americas ...
Post-modern art is seen as believing that all stances are unstable and insincere, and therefore irony, parody and humor are the only positions which cannot be overturned by critique or later events. Many of these traits are present in modern movements in art, particularly the rejection of the separation between high and low forms of art.
The new nomenclature suggests a broader geographical coverage and a growing attention to the relationships between Europe and the wider world. The term Middle Ages also derives from Petrarch. He was comparing his own period to the Ancient or Classical world, seeing his time as a time of rebirth after a dark intermediate period, the Middle Ages ...