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Practitioners merged Hawaiian poetry, chanted vocal performance, dance movements and costumes to create the new form, the hula kuʻi (kuʻi means "to combine old and new"). The pahu appears not to have been used in hula kuʻi, evidently because its sacredness was respected by practitioners; the ipu gourd ( Lagenaria sicenaria ) was the ...
Grass skirts were introduced to Hawaii by immigrants from the Gilbert Islands around the 1870s to 1880s [3] although their origins are attributed to Samoa as well. [4] [5] According to DeSoto Brown, a historian at the Bishop Museum in Honolulu, it is likely Hawaiian dancers began wearing them during their performances on the vaudeville circuit of the United States mainland.
"Hula is the Art of Hawaiian Dance, expressing all that we see, smell, hear, taste, touch and feel." "People who don't know how to dance, but who have a loving spirit, can be cultivated to be dancers.” "Take what I have given you and make it better." "Remember, you learn, but it is not yours to give until your teacher allows you that right."
In 1985, he founded a company of dancers, known as Nā Lei Hulu i ka Wēkiu in San Francisco. [1] [2] The company's style blends traditional movements with non-Hawaiian music like opera, electronic, dance, alternative, and pop. The company's stage productions showcase both hula mua and authentic, traditional pieces.
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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
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