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Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771).
D 1, Fantasy in G major for piano duet (1810, a discarded first version of the "Finale" is also extant) D 1B, Fantasy in G major for piano duet (1810 or 1811, fragment) D 1C, Sonata in F major for piano duet (1810 or 1811, fragment of the first movement is extant) D 9, Fantasy in G minor for piano duet (1811)
The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5] This ...
Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale. Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions.
Piano Trio No. 5 G minor 1766 or before violin, cello, keyboard XV:2 Piano Trio No. 17 F major c. 1769 violin, cello, keyboard originally for 2 violins, baryton and piano (Hob. XIV:2) XV:3 Piano Trio C major 1784 or before violin, cello, keyboard most likely by Ignaz Pleyel: XV:4 Piano Trio F major 1784 or before violin, cello, keyboard
Klavírní trio č. 2 g moll: Piano Trio No. 2 in G minor: violin, cello and piano 57: 80: 1876: Smyčcový kvartet č. 8 E dur: String Quartet No. 8 in E major: 2 violins, viola and cello: formerly Op. 27 58: 28: 1876: Dva menuety: 2 Minuets in A ♭ and F major: piano: 59: 29: 1876: Čtyři sbory pro smíšené hlasy: 4 Choruses: mixed chorus
The first movement opens with the solo piano, playing simple chords in the tonic key before coming to rest on a dominant chord. The orchestra then enters with the same theme, in B major, the major mediant key, which is in a chromatic mediant relationship to the tonic. Thus enters the first theme.
Fugue in G minor: keyboard: for organ [?], c. 1870, unfinished — — — 1872 "The Language of Flowers" song: voice and piano, unpub. 'The Music composed & dedicated to my sister Lucy' [66] The Poetry by Percival [67] MS 1872: Chantant: keyboard: piano solo — — MS 1872: Gloria: church: for choir and organ, arr. using the piano part of the ...