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Blenko's process involved hand blowing the glass into a cylinder inside of a mold, cutting the glass lengthwise, and flattening it in an oven—a system that made the glass appear old. [23] William Blenko filed for a patent on this process in 1924, and the patent was granted in 1926.
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Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1]
The Rubens Vase, Walters Art Museum A 1640-1652 print after Rubens' drawing. The Rubens Vase is a Late Antique or early Byzantine hardstone carving of a single piece of agate in the form of a vase, named after a later owner, Peter Paul Rubens, (from 1619 to 1626), [1] who in Flanders made a pen drawing of it, which is now held in the Hermitage Museum. [2]
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.
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