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Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Utagawa Kuniyoshi 1845. In mythology and folklore, a vengeful ghost or vengeful spirit is said to be the spirit of a dead person who returns from the afterlife to seek revenge for a cruel, unnatural or unjust death. In certain cultures where funeral and burial or cremation ceremonies are important, such vengeful spirits may also be considered ...
Hanakotoba. Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
Yūrei (幽霊) are figures in Japanese folklore analogous to the Western concept of ghosts. The name consists of two kanji, 幽 (yū), meaning "faint" or "dim" and 霊 (rei), meaning "soul" or "spirit". Alternative names include Bōrei (亡霊), meaning ruined or departed spirit, Shiryō (死霊), meaning dead spirit, or the more encompassing ...
Kōjin (三宝荒神), is the god of fire, the hearth, and the kitchen. Konjin (金神) Kotoshironushi (事代主神) Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees.
Forty-seven. rōnin. The revenge of the forty-seven rōnin (四十七士, Shijūshichishi), [2] also known as the Akō incident (赤穂事件, Akō jiken) or Akō vendetta, is an historical event in Japan in which a band of rōnin (lordless samurai) avenged the death of their master on 31 January 1703. [3] The incident has since become ...
Tokyo Revengers. Tokyo Revengers (Japanese: 東京卍リベンジャーズ[a], Hepburn: Tōkyō Ribenjāzu) is a Japanese manga series written and illustrated by Ken Wakui. It was serialized in Kodansha 's shōnen manga magazine Weekly Shōnen Magazine from March 2017 to November 2022, with its chapters collected in 31 tankōbon volumes.
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.