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Anthony of Padua, OFM, (Portuguese: António/Antônio de Pádua; Italian: Antonio di/da Padova; Latin: Antonius Patavinus) or Anthony of Lisbon (Portuguese: António/Antônio de Lisboa; Italian: Antonio da/di Lisbona; Latin: Antonius Olisiponensis; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) [1] [2] was a Portuguese Catholic priest and member of the Order of Friars Minor.
The decor of the interior painting shows the life and work of the church's patron, St Anthony of Padua, with 63 of 69 images showing scenes from the life of the patron saint. In the nave there is a series of eight vertical paintings which show scenes of healings performed by him, and the last of the frescoes shows the moment of his death.
In the Life of St. Paul the First Hermit, by St. Jerome, it is recorded that it was St. Anthony that found St. Paul towards the end of his life and without whom it is doubtful he would be known. [34] Saint-Antoine-l'Abbaye, Isère, France. Veneration of Anthony in the East is more restrained. There are comparatively few icons and paintings of him.
Saint Anthony, Antony, or Antonius most often refers to Anthony of Padua, otherwise known as Saint Anthony of Lisbon, who is the patron saint of lost things in Christianity. This name may also refer to:
Schongauer's late-Gothic style is also in strong contrast with the rest of Michelangelo's oeuvre, even in his youth. The prints of Schongauer, just reaching the end of his short life when Michelangelo copied him, were widely distributed in Europe, including Italy. [9] Martin Schongauer, The Temptation of St Anthony, c. 1470–1475
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
The Vision of Saint Anthony of Padua is the name of the following paintings: The Vision of Saint Anthony of Padua, a 1656 oil-on-canvas painting by Bartolomé Esteban Murillo; The Vision of Saint Anthony of Padua, a 1730 oil-on-canvas painting by Giambattista Pittoni
In November 1874, it was discovered that thieves had cut out the portion depicting Saint Anthony. Then, in January 1875, a Spanish immigrant attempted to sell the same fragment to a New York City art gallery. The man stated it was a complete original by Murillo, Saint Anthony being one of the artist's favorite subjects.