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A History of Art in Africa (2001) Prentice Hall, New York ISBN 0-13-442187-6. Ross, Emma George. "African Christianity in Ethiopia". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2002) Roy, Christopher D., "The Art of Burkina Faso", Art & Life in Africa, University of Iowa.
Les Demoiselles d'Avignon.The two figures on the right are the beginnings of Picasso's African period.. Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian ...
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas.
Before the Berlin Conference of 1885, traders and explorers to Africa purchased or stole art as souvenirs and curios, [4] spreading beyond the coast; ivory objects made along African coasts had been collected for centuries, and many were made by Africans for purchase by Europeans, mainly in areas reached by the Portuguese, such as the Afro-Portuguese ivories.
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This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
The issue of anonymity and authorship has long troubled the field of African art history, particularly as it relates to the political disparities between Africa and the West. [10] Such information was, at least initially, rarely sought in the field and deemed unnecessary and even undesirable by many collectors. [ 2 ]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.