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a location where troops assemble prior to a battle. While this figurative meaning also exists in French, the first and literal meaning of point d'appui is a fixed point from which a person or thing executes a movement (such as a footing in climbing or a pivot). porte-cochère an architectural term referring to a kind of porch or portico-like ...
The Marriage of Figaro (French: La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother. [1]
Google Translate is a multilingual neural machine translation service developed by Google to translate text, documents and websites from one language into another. It offers a website interface , a mobile app for Android and iOS , as well as an API that helps developers build browser extensions and software applications . [ 3 ]
Reverso is a French company specialized in AI-based language tools, translation aids, and language services. [2] These include online translation based on neural machine translation (NMT), contextual dictionaries, online bilingual concordances, grammar and spell checking and conjugation tools.
The traditional English translation preserves the scansion, but alters the meaning such that Brother John is being awakened by the bells. In English, the word friar is derived from the Old French word frere (Modern French frère ; "brother" in English), as French was still widely used in official circles in England during the 13th century when ...
"La Mer" ("The Sea") is a song by the French composer, lyricist, singer and showman Charles Trenet. The song was first recorded by the French singer Roland Gerbeau in 1945. When Trenet's version was released in 1946, it became an unexpected hit and has remained a chanson classic and jazz standard ever since.
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Rhinoceros (French: Rhinocéros) is a play by playwright Eugène Ionesco, written in 1959.The play was included in Martin Esslin's study of post-war avant-garde drama The Theatre of the Absurd, although scholars have also rejected this label as too interpretatively narrow.