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7-inch reel of ¼-inch-wide audio recording tape, typical of consumer use in the 1950s–70s. Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape ...
The typical professional audio tape recorder of the early 1950s used 1 ⁄ 4 in (6 mm) wide tape on 10 + 1 ⁄ 2 in (27 cm) reels, with a capacity of 2,400 ft (730 m). Typical speeds were initially 15 in/s (38.1 cm/s) yielding 30 minutes' recording time on a 2,400 ft (730 m) reel.
British Tape Recorders or BTR machines were reel-to-reel audio tape recorders initially made by EMI in England after World War II. They were the first magnetic tape recorders to be manufactured in Britain, and their design imitated that of the tape recorders used by the Germans during the war. Because these multi-track recorders were painted ...
Fidelipac was originally a 1 ⁄ 4-inch-wide (6.4 mm) analog recording tape, two-track format. One of the tracks was used for monaural program audio, and the other being used for a cue track to control the player, where either a primary cue tone was recorded to automatically stop the cart, a secondary tone was recorded to automatically re-cue the cart to the beginning of the cart's program ...
The RCA tape cartridge (labeled the RCA Sound Tape Cartridge [1]) is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. [2] It was introduced in 1958, following four years of development.
A cartridge format for embedding and easy handling usual 3-inch-tape-reels with 1 ⁄ 4 inch tape, compatible to reel-to-reel audio recording in 3 + 3 ⁄ 4 ips. 1965 8-Track (Stereo-8) The inside of an 8-track cartridge Analog, 1 ⁄ 4 inch wide tape, 3 + 3 ⁄ 4 in/s, endless-loop cartridge DC-International cassette system
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George H. Eash (May 11, 1911 – July 6, 1980) [1] [2] was an American inventor of several magnetic tape audio cartridges having a single tape reel.In 1950s he worked next desk to Bernard Cousino, who invented the endless tape loop, using it at first on an open reel.