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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
An angular Bowen knot is such a knot with no rounded sides, so that it appears to be made of five squares. A Bowen knot with lozenge-shaped loops is called a bendwise Bowen knot or a Bowen cross . The Dacre , Hungerford , Lacy , Shakespeare, and Tristram knots are all considered variations of the Bowen knot, and are sometimes blazoned as such.
A Celtic cross symbol. The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages.A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish missionaries, from the ninth through the 12th centuries.
Bowen knot (heraldic knot) – not a true knot (an unknot), a continuous loop of rope laid out as an upright square shape with loops at each of the four corners; Bowline – forms a fixed loop at the end of a rope; Boling knot (archaic term for the Bowline) – forms a fixed loop at the end of a rope; Bowline bend
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
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