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Beaches (the working title as Remember Me) is a 1988 American comedy-drama film adapted by Mary Agnes Donoghue and based on Iris Rainer Dart's 1985 novel of the same name. It was directed by Garry Marshall , and stars Bette Midler , Barbara Hershey , Mayim Bialik , John Heard , James Read , Spalding Gray , and Lainie Kazan .
Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
Beaches: Original Soundtrack Recording is the soundtrack to the Academy Award-nominated 1988 film starring Bette Midler and Barbara Hershey. Midler performs most of the tracks on the album, released on the Atlantic Records label. The album also reunited her with producer Arif Mardin.
Bette Midler tells the TODAY show's Hoda Kotb on the "Making Space" podcast why she and husband Martin von Haselberg cried watching "Hocus Pocus 2."
Bette Midler (/ b ɛ t ˈ m ɪ d l ər / bet MID-lər; [1] [2] born December 1, 1945) is an American actress, comedian, singer, and author. [3] Throughout her five-decade career Midler has received numerous accolades, including four Golden Globe Awards, three Grammy Awards, three Primetime Emmy Awards, two Tony Awards, and a Kennedy Center Honor, in addition to nominations for two Academy ...
) and it also includes the original version of the song "Otto Titsling", three years later re-recorded in the studio and prominently featured in the movie Beaches. Despite the positive critical reception, the album was not a sales success, reaching only number 183 on the US charts, which was the worst result for Midler in her career. [9]
In her upcoming comedy, “The Fabulous Four,” Bette Midler plays a woman who is about to marry a man she just met — a plotline that echoes her real life. Midler tied the knot with her husband ...
Inspired in part by the Theatre of the Ridiculous, [2] [3] Midler's stage show evolved into a bawdy and flamboyant mixture of stand-up comedy, Vaudeville and burlesque. It was during this time that Midler cultivated her stage persona, “The Divine Miss M”. "The more outrageous I was, the more they liked it," says Midler. "It loosened me up." [1]