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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.
Così fan tutte is a 178-minute studio album of Wolfgang Amadeus Mozart's opera, performed by Jules Bastin, Philippe Huttenlocher, Kiri Te Kanawa, David Rendall, Frederica von Stade and Teresa Stratas with the Choeurs de l'Opéra du Rhin and the Strasbourg Philharmonic Orchestra under the direction of Alain Lombard. It was released in 1978.
Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
Il turco in Italia (English: The Turk in Italy) is an opera buffa in two acts by Gioachino Rossini.The Italian-language libretto was written by Felice Romani.It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [] in 1788.
The orchestra had its inaugural concert on May 10, 2008, at the Kennedy Middle School Auditorium in Waltham, with a program featuring works by Mozart ("Così fan tutte Overture"), Daniel-Lesur ("Nocturne for Oboe and orchestra"), D'Indy ("Fantaisie on French popular Themes"), Ravel ("Mother Goose Suite") and Brahms ("Symphony No 3 in F Major ...
Così fan tutte Mozart Ina Souez (Fiordiligi), Luise Helletsgruber (Dorabella), Heddle Nash (Ferrando), Willi Domgraf-Fassbänder (Guglielmo), Irene Eisinger (Despina), Vincenzo Bettoni (Don Alfonso)
William Mann reports Mozart had an extreme dislike for Ferrarese del Bene, for whom he first created the role of Fiordiligi in Così fan tutte.Aware of her tendency to drop her chin and throw back her head while singing low and high notes respectively, Mozart chose to fill her showpiece aria ("Come scoglio") with continuous harmonic leaps to force her to bob her head "like a chicken".