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Widespread use of "O Fortuna" in advertising and other forms of popular culture may have begun with the trailer for the 1981 movie Excalibur, which uses the song in its entirety. [4] "O Fortuna" has been called "the most overused piece of music in film history", [11] and Harper's Magazine columnist Scott Horton has commented that "Orff's ...
"O Fortuna" is a movement in Carl Orff's 1935–36 cantata Carmina Burana. It begins the opening and closing sections, both titled "Fortuna Imperatrix Mundi". The cantata is based on a medieval Goliardic poetry collection of the same name, from which the poem "O Fortuna" provides the words sung in the movement. It was well-received during its ...
Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana.Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").
Between 1935 and 1936, German composer Carl Orff composed music, also called Carmina Burana, for 24 of the poems. The single song "O Fortuna" (the Roman goddess of luck and fate), from the movement "Fortuna Imperatrix Mundi", is often heard in many popular settings such as films. Orff's composition has been performed by many ensembles.
Music composed by Carl Orff. Original Latin lyrics adopted to English (C) B. Schott's Söhne by permission of European American Music "Destiny: Ruler of the World – The Wheel of Fortune ( O Fortuna )"
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Dean Burke has also worked with Music Instructor and Lunatics. Highland as an act; however, existed only for a few years. The lyrics of the tracks were written by Hardy Krech, Mark Nissen and Toni Berardi. The project was produced by Hardy Krech and Mark Nissen (Elephant Music) and co-produced by Triple M. and Andreas Pohle.
While each remaster included bonus songs, the samples of Carl Orff's "O Fortuna" present on "Love Never Dies – Part 1" were replaced with a choir keyboard patch playing an entirely different melody, due to copyright issues over the original pressings by Tatra and Metropolis Records. The album peaked at #18 on the CMJ RPM Charts in the U.S. [3]