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Poetry of the modern-day region called Afghanistan has ancient roots, which is mostly written in Dari and Pashto. [1] Afghan poetry relates to the culture of Afghanistan and is an element of Afghan literature .
The poetry reflects diverse spiritual traditions within the country. In particular, many Afghan poets have been inspired by mystical and Sufism experiences. Afghan poetry is the oldest form of literature and has a rich written and oral tradition. In Afghanistan, poetic expression exists for centuries. The great poet Rumi was an Afghan poet who ...
Ayesha Durrani, also known as Aisha-i-Durani and Aisha Durrani (18th-century) was an Afghan poet, one of the wives of Timur Shah Durrani of the Durrani Empire.A number of her poems were compiled into a manuscript in 1882, and Durrani is credited with founding the first school for girls in Afghanistan.
The Dari, which is a variety of Persian spoken in Iran and Tajikistan. A broader, more contextualized, study of Afghan proverbs would include comparisons of Afghan proverbs with Persian proverbs from Iran (for which several volumes are available in English) and with Tajik proverbs (e.g. comparing with those in Bell 2009) from Tajikistan.
Qahar Asi (Dari: قهار عاصی; September 26, 1956 – September 28, 1994) was a poet and agriculturist from Afghanistan.. He was born in Malima in Panjshir province.He is considered to be Afghanistan's most famous modern poet who has practiced both "New" and "Classic" poetry styles.
The weekly programme is broadcast on BBC News Afghanistan, as well as on social media streams of BBC News Pashto and BBC News Dari. Following the Taliban takeover, schools for girls were closed. The Taliban stated that the closures were "temporary" until a "suitable environment" was created. [ 1 ]
The list is not comprehensive, but is continuously being expanded and includes Persian poets as well as poets who write in Persian from Iran, Azerbaijan, Iraq, Georgia, Dagestan, Turkey, Syria, Afghanistan, Turkmenistan, Tajikistan, Uzbekistan, Lebanon, China, Pakistan, India and elsewhere.
The book won the 2014 PEN Award for Poetry in Translation. [6] Tess Taylor described the book's poetry in NPR as feeling "both anonymous and universal" and commented on the window it offered to the lives of women living in Afghanistan. [7] The book was described as a "rich and graceful collection" by Elizabeth T. Gray Jr. in the Harvard Review.