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The Table en console or Console table, was designed to be placed against a wall, often in front of mirror, and held statuettes or porcelain objects. It was among the most lavishly decorated pieces of furniture of the early Louis XV period.
French commode, by Gilles Joubert, circa 1735, made of oak and walnut, veneered with tulipwood, ebony, holly, other woods, gilt bronze and imitation marble, in the Museum of Fine Arts (Boston, United States) A British commode, circa 1772, marquetry of various woods, bronze and gilt-bronze mounts, overall: 95.9 × 145.1 × 51.9 cm, in the Metropolitan Museum of Art (New York City)
Boulle's output from, at one time, three workshops included commodes, bureaux, armoires, pedestals, clockcases and lighting-fixtures, richly mounted with gilt-bronze that he modelled himself. Despite his skills, his exquisite craftsmen and the high prices he commanded, Boulle was always running out of money.
Tables can be freestanding or designed for placement against a wall. Tables designed to be placed against a wall are known as pier tables [9] or console table s (French: console, "support bracket") and may be bracket-mounted (traditionally), like a shelf, or have legs, which sometimes imitate the look of a bracket-mounted table.
The console table also made its first appearance; it was designed to be placed against a wall. Another new type of furniture was the table à gibier, a marble-topped table for holding dishes. Early varieties of the desk appeared; the Mazarin desk had a central section set back, placed between two columns of drawers, with four feet on each ...
In the 1952 Flannery O'Connor novel Wise Blood, Hazel Motes leaves a note on his mother's abandoned "chifforobe" warning thieves will be found and killed. [7]In the song "Whistlin' Past The Graveyard", Tom Waits writes, "I come in on a night train, With an arm full of box cars, On the wings of a magpie, Cross a hooligan night, And I busted up a chifforobe, way out by the cocomo, Cooked up a ...
In 1928, Le Corbusier and Perriand began to put the expectations for furniture Le Corbusier outlined in his 1925 book L'Art Décoratif d'aujourd'hui into practice. In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects.
Henry Dasson (c. 1825–1896) was a nineteenth century Parisian maker of gilt-bronze mounted furniture. Unlike other cabinetmakers of the time Dasson began his career as a bronze sculptor, and consequently one characteristic of his work is the quality of his bronze and more precisely of the chiselling.