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Apart from "Megalopolis," Lionsgate has fielded a number of bombs this year, including "Borderlands" and "The Crow." “Francis Ford Coppola is one of the world's greatest filmmakers and a ...
Biggest box-office bombs [ edit ] The following is a partial list of films that lost the most money, based on documented losses or estimated by expert analysis of various financial factors such as the production budget, marketing and distribution costs, gross box-office receipts and other ancillary revenues.
Megalopolis [a] is a 2024 American epic science fiction drama film written, directed, and produced by Francis Ford Coppola.The film features an ensemble cast of Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D. B. Sweeney, and Dustin ...
This is a ranking of highest domestic net collection of Hindi films, which includes films in the Hindi language, based on the conservative global box office estimates as reported by industry sources. However, there is no official tracking of figures, and sources publishing data are frequently pressured to increase their estimates.
Some movies are a smash success, earning critical acclaim and serious cash at the box office. However, others turn into epic box-office flops that tarnish the reputation of the cast and crew and ...
Universal and DreamWorks Animation’s “The Wild Robot” landed in first place on box office charts, taking flight on the higher end of expectations with $35 million from 3,962 venues.
After three weeks atop the box office, Tim Burton’s “Beetlejuice Beetlejuice” slid to second place with $16 million in its fourth weekend of release. The Warner Bros. sequel to the 1988 “Beetlejuice,” starring Michael Keaton and Winona Ryder, has amassed $250 million domestically in a month of release.
A box-office bomb [a] is a film that is unprofitable or considered highly unsuccessful during its theatrical run. Although any film for which the combined production budget, marketing, and distribution costs exceed the revenue after release has technically "bombed", the term is more frequently used for major studio releases that were highly anticipated, extensively marketed, and expensive to ...