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During the ceremony, around 500 prisoners would be sacrificed. As many as 4,000 were reported killed in one of these ceremonies in 1727. [5] [6] [7] Most of the victims were sacrificed through decapitation, a tradition widely used by Dahomean kings, and the literal translation for the Fon name for the ceremony Xwetanu is "yearly head business". [8]
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Nine-Night, also known as Dead Yard, is a funerary tradition originating in West Africa and practiced in Caribbean countries (primarily Jamaica, Belize, Antigua, Grenada, Dominica, Dominican Republic, Guyana, Trinidad, and Haiti). It is an extended wake that lasts for several days, with roots in certain West African religious traditions. During ...
Their performances are a part of ceremonies such as births, funerals, and coronations of mwami (Kings). Drums (called karyenda) are sacred in Burundi, and represent the mwami, fertility and regeneration. The Royal Drummers use drums made from hollowed tree trunks covered with animal skins.
The typical Okuyi performer wears a large, loose costume that is said to resemble the spirit of the clan members’ ancestors. The ancestors are illustrated by the dancers as tranquil and serene and suggest that they were the people who safeguarded, counselled, and educated them from the residence of the deceased.
A masquerade ceremony (or masked rite, festival, procession or dance) is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and fertility.
The elaborate, among the older generation, traditional weddings of the Bakiga were being neglected by anyone who could afford a Western-looking ceremony. Clothes were borrowed, music equipment and generators brought to the area, every possible thing done to imitate foreign customs. However of recent, most youth are going back to their cultural ...
Zār ceremony on Hormuz Island. In the cultures of the Horn of Africa and adjacent regions of the Middle East, [1] Zār (Arabic: زار, Ge'ez: ዛር) is the term for a demon or spirit assumed to possess individuals, mostly women, and to cause discomfort or illness.