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"Catfish" is a 1976 soul song by the Four Tops. Released as a single on ABC Records, it was the title track of the album of the same name. The track features a disco sound reminiscent of contemporary musical groups. [1] In the United States, "Catfish" reached 71 on the Billboard Hot 100 pop singles chart and number 7 on the R&B singles chart.
This is the discography of all the singles and albums released by Motown singing group the Four Tops.. Throughout their career, 24 of their singles reached the top 40 of the Billboard Hot 100 with seven of them reaching the top ten and two reaching number one on the chart.
The Four Tops are an American vocal group formed in Detroit, Michigan in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame.
Four Tops Now! (1969) Soul Spin (1969) Still Waters Run Deep (1970) Soul Spin is a 1969 studio album by American soul music vocal group Four Tops, released by Motown.
Catfish is a 1976 studio album by American soul music vocal group, Four Tops, released by ABC Records. Reception ... Four Tops. Renaldo Benson – bass vocals;
"Ask the Lonely" is a soul/pop ballad recorded by Motown singing group the Four Tops. Released as the group's third single, the single became the group's second successful single since signing with Motown in 1963. Released in 1965, the song rose to no. 24 on the pop chart [2] and no. 9 on the R&B one. [3]
Reach Out is the fourth studio album by the Four Tops, issued on Motown Records in July 1967. The group's biggest-selling studio album, Reach Out includes six of the Four Tops' most successful singles including the US and UK #1 hit "Reach Out I'll Be There", "Standing in the Shadows of Love", "Bernadette" and "7-Rooms of Gloom".
A review in Billboard recommends this album to retailers as a "super set" with "stunning live performances". [1] Editors at AllMusic Guide scored this release 2.5 out of five stars, with reviewer Andrew Hamilton praising the "crack sound system" for the recording and opining that several of the live versions rival their studio recordings in quality.
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