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A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and (3) the end or purpose to be achieved by the action, or the motive. The maxim of an action is often referred to as the agent's intention.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx.It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.
According to Christopher Dresser, the primary element of decorative art is utility. The maxim "art for art's sake," identifying art or beauty as the primary element in other branches of the Aesthetic Movement, especially fine art, cannot apply in this context. That is, decorative art must first have utility, but may also be beautiful. [15]
Universalizing a maxim (statement) leads to it being valid, or to one of two contradictions—a contradiction in conception (where the maxim, when universalized, is no longer a viable means to the end) or a contradiction in will (where the will of a person contradicts what the universalisation of the maxim implies).
The Practical Contradiction Interpretation: were the maxim to be universalized, the agent would be unable to achieve the purpose in their maxim. Korsgaard argues that the Practical Contradiction Interpretation is the correct interpretation. She further argues that there are two ways a maxim may violate the formula of universal law:
The golden mean or golden middle way is the desirable middle between two extremes, one of excess and the other of deficiency. It appeared in Greek thought at least as early as the Delphic maxim "nothing in excess", which was discussed in Plato's Philebus.
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Art historian Gao Minglu connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the uncertainty of meaning ...