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Rose Tattoo formed in Sydney in 1976 by Pete Wells who wanted a tough slide guitar based band. They recorded their debut single, "Bad Boy for Love" with Angry Anderson on lead vocals, Mick Cocks on rhythm guitar, Ian Rilen on bass guitar, Dallas "Digger" Royall on drums and Peter Wells on slide guitar during mid-1977.
In January 2014, Gardner's signature Precision Bass was released for public purchase via Squier by Fender. The bass features a graphic of a ship that is a replica image of a tattoo on her arm. [3] On January 26, 2014, Gardner played bass at the 56th Grammy Awards during Pink's live performance. Gardner was the bassist for Cher's 2014 Dressed to ...
Mark Whitmore Evans (born 2 March 1956) is an Australian musician, the current bass guitarist for rock band Rose Tattoo, and also a member of hard rock band AC/DC from March 1975 to June 1977. His playing featured on their albums T.N.T , High Voltage , Dirty Deeds Done Dirt Cheap and Let There Be Rock . [ 1 ]
The bass guitar is a stringed instrument played primarily with the fingers (either by plucking, slapping, popping, or tapping) or using a pick. Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music. Bass guitarists provide the low-pitched basslines and bass runs in many different styles of music ranging ...
William Sheehan (born March 19, 1953 [1]) is an American musician known for playing bass guitar with acts such as Talas, Steve Vai, David Lee Roth, Mr. Big, Niacin, and The Winery Dogs. He is also known for his "lead bass" playing style, including the use of chording, two-handed tapping, "three-finger picking" technique and controlled feedback.
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
Aces around, dix or double pinochles. Score points by trick-taking and also by forming combinations of cards into melds.
[5] For the reviewer, the album was "a scintillating showcase for Rory’s mastery of his craft" from "the laid back vibe of opener "Tattoo'd Lady," the raunchy riffing of "Cradle Rock" and "Admit It" to quieter moments such as the acoustically driven "20:20 Vision."