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East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. "The African Folk Music Tradition from Guyana: A Discourse and Performance". Brown Bag Colloquium Series 2003–2004. Seals, Ray. "The Making of Popular Guyanese Music"
The songs included "B. G. Bargee" ("bargee" or "bhagee" being a type of dance rhythm); "The West Indian Weed Woman" (also known as "The Weed Song", later recorded by Harry Belafonte), describing the use of local plants in medicine and cooking; and "Sugar, Cent a Pound", about sugar salvaged from a local shipwreck. [3]
Shanto is a form of Guyanese music, related to both calypso and mento. [1] It became a major part of early popular music through its use in Guyanese vaudeville shows; songs are topical and light-hearted, often accompanied by a guitar. [2] The word "shanto" is a conflation of "shanty" - the term used in Guyana for work songs - and "calypso
This was a breakthrough for East Indian Caribbean music, but the fame was short lived. Chutney music exploded again in 1968 with the female singer Dropati, who released an album entitled Let's Sing & Dance, made up of traditional wedding songs. These songs became huge hits within the Indo-Caribbean community.
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Guyana's musical tradition is a mix of African, Indian, European, and Latin elements. The most popular type of music is Calypso and its offshoots and mixes, like in other parts of the Eastern Caribbean. The various types of popular music include reggae, calypso, chutney, Soca, local Guyanese soca-chutney and Bollywood film songs (or Indian music).
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