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The Piano Trio No. 2 in C minor, Op. 66, was written by Felix Mendelssohn in 1845 and published in February 1846. [1] The work is scored for a standard piano trio consisting of violin, cello and piano. Mendelssohn dedicated the work to his close friend and violinist, Louis Spohr, who played through the piece with the composer at least once. [2]
C minor, sonata form. Ends in C major. Ends in C major. Howard calls this movement "rhythmically intense," [ 8 ] and Keller writes, "By now we will understand that this piano trio is to a large extent “about” rhythmic variety, and the finale carries that idea through to the end through an abundance of hemiolas (i.e. brief passages of duple ...
Piano Sonata No. 32 (Beethoven) Schubert's last sonatas; Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546
The Piano Trio in C minor, MWV Q3, is a chamber work by Felix Mendelssohn. It was composed in 1820 and published posthumously in 1970. [1] Unlike many other piano trios, this work is scored for piano, violin and viola. [2] In key, all the movements are in minor, ending also in minor.
The third movement is a presto C minor in 6/8 time formally composed of a scherzo and trio: arranged in an ABA format. [4] The A section is rhythmically complex while the B section is more lyrical and melodic. It features frequent pianissimo dynamics, and suggests the same mood as the third movement of Brahms' Violin Sonata No. 3 in D minor Op ...
Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead. This third piano trio was later reworked by Beethoven into the C minor string quintet, Op. 104. [4]
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Piano Trio No. 1, Op. 8, in C minor for violin, violoncello and piano is a very early chamber composition by Dmitri Shostakovich. It was performed privately in early 1924, but was not published until the 1980s. Twenty years later, the composer wrote the more well-known Piano Trio No. 2 in E minor, Op. 67.