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It is not uncommon for magicians to dress as clowns or in wild and outlandish costumes while performing. [4] Generally, children's magicians are reluctant to use tricks that focus on the use of playing cards, however magic with coins (see Coin magic) or paper money are frequently popular with children. [5] Movement and action are preferable to ...
Category talk:Magic articles by importance; Category talk:Magic articles by quality; Category talk:Magic articles needing expert attention; Category talk:Magic award navigational boxes; Category talk:Magic clubs; Category talk:Magician duos; Category talk:Mid-importance Magic articles
A magic item is any object that has magical powers inherent in it. These may act on their own or be the tools of the person or being whose hands they fall into. Magic items are commonly found in both folklore and modern fantasy. Their fictional appearance is as old as the Iliad in which Aphrodite's magical girdle is used by Hera as a love charm ...
The trick ends while the child or assistant either climbs out of the basket or reappears from behind the crowd unharmed. The Indian basket trick has been used in an adapted form by Western magicians for a long time. It is one of the oldest illusions. It started off being performed in the streets; later, Colonel Stodare adapted it to stage magic ...
Blackstone created four levels (beginner to advanced) of magic kits that were the best selling in the field. [5] In the early 1970s, he promoted a "PF Magic Wedge Kit" on a television commercial for PF Flyers sneakers, [6] and he appeared on several commercials for Jiffy Pop popcorn. Harry Blackstone Jr., Pittsburgh, 1981
In magic literature, tricks are often called effects. Based on published literature and marketed effects, there are millions of effects; a short performance routine by a single magician may contain dozens of such effects. Some students of magic strive to refer to effects using a proper name, and also to properly attribute an effect to its ...
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The American Museum of Magic was founded by the late Robert Lund, a Detroit-area writer and editor who was an obsessed collector of magic artifacts, with the assistance of his wife, the late Elaine Lund. It is said Mr. Lund liked the craft and skills, but decided early on that he lacked the showmanship necessary to become a world class magician.
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