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Illustration from The Children's Encyclopædia "After Blenheim" is an anti-war poem written by English Romantic poet laureate Robert Southey in 1796. The poem is set at the site of the Battle of Blenheim (1704), with the questions of two small children about a skull one of them has found. Their grandfather, an old man, tells them of burned ...
Drum-Taps is a collection of poetry composed by American poet Walt Whitman during the American Civil War. The collection was published in May 1865. [1] The first 500 copies of the collection were printed in April 1865, [2] the same month President Abraham Lincoln was assassinated.
The rhyme itself may date back to at least the sixteenth century. Early medieval illuminated manuscripts depicting a cat playing a fiddle were also popular images. [129] How Many Miles to Babylon? United Kingdom c. 1801 [130] Origin unknown, but studies have suggested the rhyme may be older than attested. Jack and Jill 'Jack and Gill' Great Britain
Pages in category "World War I poems" The following 50 pages are in this category, out of 50 total. This list may not reflect recent changes. A.
The poem describes some of the horrors of war and how this leads to a lack of emotion and a desensitisation to death. However the key message of the poem is revealed in the final two stanzas criticizing "you" at home (contemporary readers) for using war propaganda and images as a form of entertainment "These men are worth/ Your tears: You are ...
Siegfried Sassoon, a British war poet famous for his poetry written during the First World War.. War poetry is poetry on the topic of war. While the term is applied especially to works of the First World War, [1] the term can be applied to poetry about any war, including Homer's Iliad, from around the 8th century BC as well as poetry of the American Civil War, the Spanish Civil War, the ...
The title and subject of the poem refer to the scene in the 1851 painting Washington Crossing the Delaware by Emanuel Gottlieb Leutze. The poem is noted for being an anagrammatic poem – in this case, a 14-line rhyming sonnet in which every line is an anagram of the title.
Even its indentations are irregular, not following its own rhyme scheme. Much of the second half of the poem is dedicated to funeral rituals suffered by those families deeply affected by the First World War. The poem does this by following the sorrow of common soldiers in trench warfare, perhaps the battle of the Somme, or Passchendaele.