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The Koussevitzky Music Foundation commissioned the Third Symphony and Piston began work on it in 1946, [1] completing the score at Woodstock, Vermont, in the summer of 1947. It was premiered on January 9, 1948, by the Boston Symphony Orchestra conducted by Serge Koussevitzky , and the composer dedicated the score to the memory of the conductor ...
Walter Piston: Symphony No. 7 / Symphony No. 8: LP: in stereo LS-746 ... Sinfonia Concertante / Variations on a Theme of Beethoven / Symphony No. 3: CD: from 795, 796 ...
Leonard Slatkin and the St. Louis Symphony Orchestra included the suite in a 1991 RCA Victor CD recording that also featured Piston's Three New England Sketches and Symphony No. 6. [ 16 ] Piston studied the twelve-tone technique of Arnold Schoenberg and wrote works using aspects of it as early as the Sonata for Flute and Piano (1930) and the ...
Pages in category "Symphonies by Walter Piston" The following 8 pages are in this category, out of 8 total. ... Symphony No. 3 (Piston) Symphony No. 4 (Piston ...
The symphony opens with a smooth sonata-allegro movement in A minor that gives the effect of a single flowing gesture. Both main themes are in 3/4 time, with the first unfolding in the violins and the second passed around the woodwinds. In the recapitulation, the return of the first theme is delayed until the very end of the movement. [2]
The second movement is a "dancing" movement in rondo form, featuring irregular meters (3/4, 7/8, 5/8, 2/4, etc.), alternating with a 6/8 waltz and a vigorous theme "reminiscent of country fiddling". The contemplativo grows from an almost completely atonal opening theme into an explosive climax.
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Symphony No. 3 (Piston) Walter Piston, 1946–47 Symphony No. 3 (Popov) ( Heroic or Spanish ) by Gavriil Popov, 1939–46 Symphony No. 3 (Price) in C minor by Florence Price, 1938–40
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