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Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
Peter Franklin Kurland (born 1958) is an American production sound mixer. [1]Kurland has done boom operation work along with sound mixing on many films, such as Walk the Line, The Ladykillers, Intolerable Cruelty, Men in Black, Wild Wild West, and O Brother, Where Art Thou?.
The boom operator and production sound mixer can sometimes be combined into a job performed by one person on lower budget productions, usually when the crew number is to be kept minimal, or for documentaries or news collecting. The one-man unit is often known simply as a "sound recordist" or "sound man", and would perform all on set sound ...
That is, the mixer is re-recording sound already recorded elsewhere (the basis of the North American name) after passing it through mixing equipment such as a digital audio workstation and may dub in additional sounds in the process (the basis of the European name). While mixing can be performed in a recording studio or home office, a full-size ...
to inform everyone that a take is about to be recorded, and then "quiet, everyone!" Once everyone is ready to shoot, the AD calls "roll sound" (if the take involves sound), and the production sound mixer will start their equipment, record a verbal slate of the take's information, and announce "sound speed", or just "speed", when they are ready ...
[1] [5] Hayes was the production sound mixer for the 2012 epic period musical film Les Misérables, for which the Academy of Motion Picture Arts and Sciences awarded him the Oscar for Best Sound Mixing at the 85th Academy Awards, alongside Andy Nelson and Mark Paterson. [2]
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The tape is identical to that used on Digital Audio Stationary Head machines such as the Sony PCM-3202 and Mitsubishi X-86 series. The unique format, combined with its heavy weight, made it somewhat unpopular with many production sound mixers, but year after year many films were completed with Nagra Ds (and the newer 24-bit/96 kHz Nagra DII ...
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