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In 1874, he helped prepare for the first major Impressionist exhibition, where he held a retrospective of his works. He also participated in their second exhibition, [ 2 ] focusing on landscapes but, as the years progressed, he turned away from pure Impressionism and introduced more elements of Realism into his work.
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
La Nymphe surprise, or Surprised Nymph, is a painting by the French impressionist painter Édouard Manet, created in 1861. The model was Suzanne Leenhoff , a pianist whom he married two years later. The painting is a key work in Manet's production, marking the beginning of a new period in his artistic career and generally in the history of ...
171.1 × 113 cm: Metropolitan Museum of Art (New York) The Fifer: 1866: 161 × 97 cm: Musée d'Orsay (Paris) A Young Lady in 1866: 1866: 185.1 × 128.6 cm: Metropolitan Museum of Art (New York) The Execution of Emperor Maximilian: 1868: 252 × 305 cm: Kunsthalle Mannheim: Portrait of Emile Zola: 1868: 146 × 114 cm: Musée d'Orsay (Paris) Boy ...
It shows a group of people playing croquet, a very fashionable game at that time. The group comprises the painter Alfred Stevens, artists' models Victorine Meurent and Alice Legouvé and, in the background, Manet's friend Paul Rodier. [1] In style this painting represented Manet's closest approach to impressionism. Croquet at Boulogne, 1871
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Argenteuil is an 1874 oil on canvas painting by Édouard Manet (1832-1883), first exhibited at the Paris Salon of 1875. [1] [2] It is one of Manet's first works to be regarded as a fully Impressionist painting due to its naturalistic style and its bold palette. [3]
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