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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
The canon (without the accompanying gigue) was first published in 1919 by scholar Gustav Beckmann, who included the score in his article on Pachelbel's chamber music. [10] His research was inspired and supported by early music scholar and editor Max Seiffert, who in 1929 published his arrangement of the "Canon and Gigue" in his Organum series. [11]
In his early work, such as Piano Phase (1967) and Clapping Music (1972), Steve Reich used a process he calls phasing which is a "continually adjusting" canon with variable distance between the voices, in which melodic and harmonic elements are not important, but rely simply on the time intervals of imitation.
The style is a departure from TSO's usual rock arrangements, instead being performed in the style of a children's choir with light accompaniment from piano and strings. The group would later create a rock version of the song, entitled "Christmas Canon Rock" with Jennifer Cella on lead vocals, which debuted on their 2004 album The Lost Christmas ...
The Studies for Player Piano is a series of 49 études for player piano by American composer Conlon Nancarrow.Often exploring complex rhythmic variations beyond the ability of a human pianist, these compositions are some of the best-known and celebrated compositions by Nancarrow, even though they are generally not considered a set of compositions, but rather individual compositions that were ...
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Canonic passages continue to be featured, now introducing first the oboes and bassoons in double canon, and then the piano and tuba in a three-part canon. The movement concludes with an eight-bar instrumental coda in which all four basic forms of the row are combined in a series of somber chords. [7]
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