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The Equestrian Statue of Gattamelata is an Italian Renaissance sculpture by Donatello, dating from 1453, [1] today in the Piazza del Santo in Padua, Italy.It portrays the condottiere Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time.
Erasmo of Narni was born in Narni, in Umbria, into a poor family.His station in life led him to the military, initially under the Assisi lord [2] Cecchino Broglia. Later, together with his friend Brandolino Brandolini, he served under Braccio da Montone, one of the leading Italian condottieri of the 15th century, [3] lord of Perugia from 1416.
The earliest surviving Renaissance equestrian statue: Equestrian statue of Gattamelata by Donatello, on Piazza del Santo (Padua), 1453. This is a list of equestrian statues in Italy. Frequently represented persons: Giuseppe Garibaldi (1807–1882) Victor Emmanuel II (1820–1878), Italian: Vittorio Emanuele II
Donatello may have seen the Regisole at Ravenna, a late Roman example which was another victim of the French, and he certainly knew the Equestrian Statue of Marcus Aurelius (c. 175) in Rome. Donatello's work is strongly classicising, with Roman motifs on the armour and saddle (almost impossible to see in situ ), and the horse perhaps derived ...
Another view. Verrocchio based the sculpture on Donatello's statue of Gattamelata, as well as on the ancient statue of Marcus Aurelius in Rome, the St. Mark's Horses in Venice, the Regisole (a late antiquity work in Pavia, now lost), and the frescoes of the Funerary Monument to Sir John Hawkwood by Paolo Uccello and of the Equestrian Monument of Niccolò da Tolentino by Andrea del Castagno.
Generally, "sculpture of any quality" was more expensive than an equivalent in painting, and when in bronze dramatically so. The painted Equestrian Monument of Niccolò da Tolentino of 1456 by Andrea del Castagno appears to have cost only 24 florins, while Donatello's equestrian bronze of Gattamelata, several years earlier, has been "estimated conservatively" at 1,650 florins.
The 2nd-century Roman bronze equestrian statue of Marcus Aurelius, highly visible in Rome since antiquity, was the main influence on the Renaissance revival of the form. An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1]
Also within the round sculpture, Donatello was the precursor of the figure on horseback (in bronze) in homage to a great personage and placed in the center of a public square. The first equestrian statue by Donatello was the one known as Gattamelata (condottiero Erasmo de Narni). [24] [25] [26] Gaia Fountain in Siena.
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