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Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
Degenerate art (German: Entartete Kunst) was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an ...
Jerusalino “Jerry” V. Araos (1944-2012) was a Filipino sculptor, landscape artist, and activist best known for using discarded wood and felled trees in his sculptures, and for his prominent role in the resistance against the dictatorship of Ferdinand Marcos.
The painting is known in English as From the Dictatorship of Porfirio Diaz to the Revolution or The Revolution Against the Porfirian Dictatorship.) Siqueiros with Tamiji Kitagawa in 1955 In the lobby of the Hospital de la Raza in Mexico City, he created a revolutionary multi-angular mural using new materials and techniques, For the Social ...
The March of the One Hundred Thousand (Portuguese: Passeata dos Cem Mil) was a manifestation of popular protest against the Military dictatorship in Brazil, which occurred on June 26, 1968, in Rio de Janeiro, organized by the student movement and with the participation of artists, intellectuals and other sectors of Brazilian society.
A graffiti wall in London’s bustling street art hub of Brick Lane has become an unlikely canvas for protest messages against China’s authoritarian rule, after it was whitewashed and painted ...
Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. Chapel Hill: The University of North Carolina Press. ISBN 0-8078-4607-4; Thoms, Robert: The Artists in the Great German Art Exhibition Munich 1937–1944, Volume I – painting and printing. Berlin 2010, ISBN 978-3-937294-01-8.
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