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The rites and prayers in the Blessing Way are concerned with healing, creation, harmony and peace. The song cycles recount the elaborate Navajo creation story (Diné Bahaneʼ). One of the most important Blessing Way rites is the Kinaaldá ceremony, in which a young girl makes the transition to womanhood upon her menarche. [1]
At its core, Vimbuza is the holistic healing approach that combines physical movement, vocalizations, and spiritual connection to promote emotional balance and well-being. The dance is characterized by slow, rhythmic movements that induce a trance-like state, allowing individuals to tap into their subconscious mind and access ancestral wisdom.
The battle usually reconciles in harmony or balance of the Rangda and the Barong, instead of a defeat of the evil. Among the dance traditions in Bali are: Barong, king of the spirits; Baris war dances; Cendrawasih, the bird of paradise; Condong, a basic dance, preface to Legong; Legong, a refined dance; Kecak, the Ramayana monkey chant dance
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Paneurhythmy also contains an emphasis on building a new culture of love, fraternity, and freedom. Deunov believed there was a direct connection between thought and movement, that through the harmony between music, movement, and ideas, paneurhythmy was capable of promoting creative forces within the greater society. [4]
Native American Hoop dance usually focuses on very rapid moves, but sometimes speed and creativeness balance the scoring between Hoop dancers who use only four hoops but dance to extremely fast songs, versus dancers with 20 or more hoops who danced to a slower drumbeat. [2] Every dance is as individual as the person who choreographs it. [3]
Karakattam (karakam-'water pot'), or Karagam Puja in the Caribbean, is an ancient folk dance of Tamil Nadu performed in praise of the rain goddess Mariamman. The ancient Tamil epic says that this type of dance derived from Bharatham and a mixture of multiple forms of Tamil dance forms like Bharatanatyam postures and mudras. The offering of this ...
Doris Batcheller Humphrey (October 17, 1895 – December 29, 1958) was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath ...