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Carol Kaye (One of the most recorded bass players in history) Charlotte Kemp Muhl (from The Ghost of a Saber Tooth Tiger) Kerri Kenney-Silver (formerly of Cake Like) Debra Killings; Holly Knight (formerly of Device) handled the bass parts on the band's lone album 22B3
The early 1990s found LaVere in Nashville as part of the burgeoning Lower Broadway scene, where she began to play upright bass as half of the popular roots duo The Gabe & Amy Show. [3] By 1999, she had moved to Memphis where she began work at Sun Studio .
[15] By the time she randomly picked up the bass in music class and began experimenting with it, she had grown bored with her other instruments. [20] [31] Her band teacher showed her a blues line for the bass that she later used to secure her first gig. [20] After that, she went in to play the bass daily and gradually fell in love. [15]
Carol Kaye (née Smith; [1] born March 24, 1935) [2] is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.
This is a non-diffusing subcategory of Category:Bass guitarists. It includes bass guitarists that can also be found in the parent category, or in diffusing subcategories of the parent. Biography portal
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As one of the first female bluegrass bass players she more than rose to the occasion as a foundational member in Monroe’s bluegrass band for over a decade. She was one of the Bluegrass Boys from 1953–1964. [2] Bessie Lee Maudlin was a prolific contributor, as a member of Bill Monroe’s Blue Grass Boys.
Victoria Woodhull was the first woman to run for president in the U.S. and she made her historic run in 1872 – before women even had the right to vote! She supported women's suffrage as well as welfare for the poor, and though it was frowned upon at the time, she didn't shy away from being vocal about sexual freedom.