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Carl Foreman, CBE (July 23, 1914 – June 26, 1984) was an American screenwriter and film producer who wrote the award-winning films The Bridge on the River Kwai and High Noon, among others. He was one of the screenwriters who were blacklisted in Hollywood in the 1950s because of their suspected communist sympathy or membership in the Communist ...
Both the cover and title page proclaim "Carl Foreman's The Victors" under which the byline is "by Milton Shulman, based on The Human Kind by Alexander Baron." bypassing mention of the actual screenplay. It is unknown whether Dell bid for the publishing rights and commissioned the novelization, or if Foreman engineered its publication.
The screenwriters, Carl Foreman and Michael Wilson, were on the Hollywood blacklist and, even though living in exile in England, could only work on the film in secret. The two did not collaborate on the script; Wilson took over after Lean was dissatisfied with Foreman's work.
Pages in category "Films with screenplays by Carl Foreman" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes .
The Guns of Navarone is a 1961 action adventure war film directed by J. Lee Thompson from a screenplay by Carl Foreman, based on Alistair MacLean's 1957 novel of the same name. Foreman also produced the film.
Colin Welland, Carl Foreman, Lawrence Konner: Gary Mehlman, Carl Foreman: Dustin Hoffman (1983–1986) Christopher Lambert (1986) The rights to Ralph Hurne's novel The Yellow Jersey were optioned in 1973 by producer Gary Mehlman, who then made a development deal with Columbia Pictures.
The screenplay for the film, written by Carl Foreman, was mostly faithful to the play and to Brian Hooker's translation, though it was trimmed to 113 minutes (Cyrano plays for more than two-and-a-half hours onstage). However, Foreman did add his own dialogue for two or three additional scenes inserted into the film for better continuity between ...
After an initial rejection of the story outline in 1952 by the PCA, Carl Foreman resurrected the Stella project in 1957 and was offered two acceptable story lines: one in which Stella has an unconventional but asexual relationship with the captains, the other "a clearcut story of sin and retribution" in which she loses her relationship at the ...