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The Cadillac Palace became home to pre-Broadway tours and world premieres with the opening of Elton John and Tim Rice's Aida in the autumn of 1999. This was the beginning of many Broadway-caliber shows to pass through the Cadillac Palace. Mel Brooks's The Producers premiered in Chicago starring Nathan Lane and Matthew Broderick in
5,100 (Half-house GA) 4,000 (Half-house) 1950 Sinnissippi Music Shell 3,700 August 28, 2024 Hard Rock Live Rockford 2,000 May 11, 1980 Allstate Arena: Rosemont: 18,500 1995 Rosemont Theatre: 4,400 1978 Bank of Springfield Center: Springfield: 8,758 1981 Sangamon Auditorium: 2,005 1927 Illinois State Fair Grandstand: 13,000 2000s
Gorbunov Palace of Culture Peasants' Palace of Culture in Dajipu township, Huangshi Municipality, Hubei, China. Palace of Culture (Russian: Дворец культуры, romanized: dvorets kultury, Chinese: 文化宫, wénhuà gōng, German: Kulturpalast) or House of Culture (Polish: dom kultury) is a common name (generic term) for major club-houses (community centres) in the former Soviet ...
Breasted received a reply from Rockefeller pledging $50,000 over five years for the Oriental Institute. Rockefeller also assured University of Chicago president Harry Pratt Judson that he would pledge another $50,000 to the cause. The University of Chicago contributed additional support, and in May 1919 the Oriental Institute was founded. [3]
The Grand Opera House was a theatre located at 119 North Clark Street in Chicago, Illinois. Established by Chicago impresario John A. Hamlin, the theatre originally opened as the Coliseum in 1875 and was later rebranded as Hamlin's Theatre in 1878.
The palace includes a blue and gold dome topped with a spire. This golden statue atop the dome includes a sun with 32 rays at its apex, and also includes a steppe eagle flying beneath the sun. [2] [3] The building's height (including the spire) is 80 meters. [1]
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The Chauncey L. Williams House, in River Forest, Illinois is a residence designed by Frank Lloyd Wright. The house was built in 1895 of Roman brick and plaster. It was one of Wright's earliest Chicago commissions. The house reflects the influence of Japanese design on Wright, who was a collector of Japanese prints.