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Kayfabe characters Sgt Slaughter and The Grand Wizard in a wrestling ring. In professional wrestling, kayfabe (/ ˈ k eɪ f eɪ b /) is the portrayal of staged events within the industry as "real" or "true", specifically the portrayal of competition, rivalries, and relationships between participants as being genuine and not staged.
For example, in a religious discussion between friends, one might say (attempting humor), "You might disagree, but in my reality, everyone goes to heaven." Reality can be defined in a way that links it to worldviews or parts of them (conceptual frameworks): Reality is the totality of all things, structures (actual and conceptual), events (past ...
These devices, by definition, do not apply literally and thus exclude any fallacious conclusion that the formal reification is real. For example, the metaphor known as the pathetic fallacy, "the sea was angry" reifies anger, but does not imply that anger is a concrete substance, or that water is sentient. The distinction is that a fallacy ...
Aristotle did not consider all possibilities the same, and emphasized the importance of those that become real of their own accord when conditions are right and nothing stops them. [3] Actuality, in contrast to potentiality, is the motion, change or activity that represents an exercise or fulfillment of a possibility, when a possibility becomes ...
Process philosophy, also ontology of becoming, or processism, [1] is an approach in philosophy that identifies processes, changes, or shifting relationships as the only real experience of everyday living. [2]
It is not universally accepted that there is a clear boundary between metaphysics and ontology. Some philosophers use both terms as synonyms. [11] The etymology of the word ontology traces back to the ancient Greek terms ὄντως (ontos, meaning ' being ') and λογία (logia, meaning ' study of '), literally, ' the study of being '.
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Consequently, Thomas stressed societal problems such as intimacy, family, or education as fundamental to the role of the situation when detecting a social world "in which subjective impressions can be projected on to life and thereby become real to projectors". [3] The definition of the situation is a fundamental concept in symbolic interactionism.